“Another Uncle Edith Christmas Yarn” (E18)

  • Originally printed: DAC News, December 1929
  • First reprinted in: The Treasurer’s Report, and Other Aspects of Community Singing
  • Also Reprinted in: Benchley Beside Himself; The Benchley Roundup; and A Good Old-Fashioned Christmas (naturally)
  • Original Byline: Robert C. Benchley (Drawings by Gluyas Williams)

🦉🦉🦉🦉

Comments:
As first seen in the 1920 “Bedtime Stories” centered on Georgie (E6) and Lillian (E7), any Benchleyan raconteur who aims to entertain the romper room set is stepping into a theatre of war. (A nautical war, in this case.) Like kindly Old Mother Nature before him, Uncle Edith is not above using Cossack methods to keep his audience in line. In fact, his leaky sea chronicle seems more like a pretext for administering drubbings and clapping hecklers in irons than an attempt to edify or enthrall.

The yarn within the yarn, such as it is, involves Edith’s mystifying mid-Atlantic meeting with a ghost ship full of sleeping Hessian troopers – the mystification due chiefly to the old salt pork’s dead calm approach to the science of narrative momentum. However, just as this miserable tale threatens to settle into something like a permanent trench, three-year old Philip, the secret hero of the piece, breaks free from the brig and steals Edith’s thunder with a rousing account of his thrust up San Juan Hill with Teddy and his Rough Riders. Thus, Uncle Edith is decidedly on his back foot (or perhaps, as Marian suggests, over backwards with his feet in the air) when he snaps the immortal rejoinder: “Who the hell said anything about Christmas?”

Favourite Moment:
“Anyway, I do know that we sailed from Nahant on the fourteenth March.”
“What are you – French?” asked little Philip. “The fourteenth March.”

Reprint Notes:

  • In all cases, the piece was reprinted under the title “Another Uncle Edith Christmas Story”.
  • The Treasurer’s Report reprint excises Little Philip’s entire battle saga, drastically altering the balance of power between Uncle Edith and his antagonistic auditors and keeping the avuncular avenger firmly at the center of piece. Much more firmly than he deserves.

“After-Bedtime Stories: How Lillian Mosquito Projects Her Voice” (E7)

  • Originally printed: Life Magazine, July 29, 1920
  • First reprinted in: Love Conquers All
  • Original Byline: Robert C. Benchley

🦉🦉🦉

Commentary:
Here, the nursery’s caustic conch passes from humanity’s best friend (E6) to one of its most implacable foes, in the anthropomorphized person of Lillian Mosquito. Nothing terribly surprising in RB’s characterization of the despised insect as motivated more by bloody-mindedness than by blood-lust. Lillian is a vampiric ventriloquist, baiting her inept victims to add insulting self-injury to their itches. More interestingly, perhaps, the piece expands upon the previous installment’s note of malaise under Mother Nature’s malevolent tutelage. A shame we never got to learn “how Lois Hen scratches up the beets and Swiss chard in gentlemen’s gardens…”

Favourite moment:
“But he was prevented from leaving by kindly Old Mother Nature, who stepped on him with her kindly old heel…”

Reprint Note:

  • Reprinted under the title “Animal Stories: Part II – Lillian Mosquito”

“After-Bedtime Stories: How Georgie Dog Gets the Rubbers on the Guest Room Bed” (E6)

  • Originally printed: Life Magazine, July 15, 1920
  • First reprinted in: Love Conquers All
  • Original Byline: Robert C. Benchley

🦉🦉🦉

Commentary:
Reprinted in Love Conquers All as part of a diptych with E7 (“How Lillian Mosquito Projects Her Voice”), we embark on a little field trip to Old Mother Nature’s nursery, where anthropomorphic auditors gather each day for a series of seminars in mischief making. Georgie Dog relates with relish his best practices for doing one’s worst with sodden footwear. A perverse peek at the author’s proto-sitcom universe from the perspective of the kind of domestic chaos agent so apt to addle the Benchleyan Little Man’s intimations of harmony.

Favourite moment:
“And sure enough, in came Georgie Dog, wagging his entire torso in a paroxysm of camaraderie, even though everyone knew that he had no use for Waldo Lizard.”

Reprint Notes:

  • Title changed to “Animal Stories: Part I – Georgie Dog”
  • Cartoon of Georgie not reprinted in Love Conquers All – not by Gluyas Williams